The Poetry of e.e. cummings Essay example -- Poet Poetry Poem Poetic E

The Poetry of e.e. cummingsThe poems to come atomic number 18 for you and for me and argon not for close people.--its no use trying to pretend that mostpeople and ourselves ar alike. Mostpeople have less in common with ourselves than the squarerootofminusone. You and I are benevolent macrocosmsmostpeople are snobs.Take the matter of being born. What does being born slopped to mostpeople? Catastrophe unmitigated. Socialrevolution. The cultured aristocrat yanked out of his hyperexclusively ultravoluptuous superpalazzo, and dumped into an incredibly vulgar detentioncamp swarming with every(prenominal) conceivable species of undesirable organism. Mostpeople fancy a guaranteed birthproof safetysuit of nondestructible selflessness. If mostpeople were to be born doubly theyd improbably call it dying.you and I are not snobs. We back never be born enough. We are human beingsfor whom birth is a supremely welcome mystery,the mystery of growingthe mystery which happens only and whenever we are faithful to ourselves. You and I wear the dangerous looseness of doom and happen upon it becoming. Life,for eternal us,is nowand now is much too busy being a little more than everything to seem anything.catastrophic included (cummings, 1935).So begins No Thanks, a book of poetry written by the already well-established Edward Estlin e. e. cummings. When most people think of poetry, certain vocabulary comes to mind. Imagery. Rhyme. Meter. Flow. Figurative language. When the poetry of E.E. Cummings is mentioned, these stereotypical poetic techniques are forgotten. Instead, the mind focuses on Cummings technique of avoiding technique. The overleap of capitalization and nonstandard punctuation most likely begin the joust of Cummings nonrules in the minds of many. Sadly, the knowledge of... ...rn Library.Cummings, E.E. (1966). Collected poems. New York Harcourt, Brace & World.Fairley, I.R. (1975). E.E. Cummings and ungrammar A study of syntactic deviance in his poems. New Yor k Watermill.Friedman, N. (1960). E.E. Cummings The artistic creation of his poetry. Baltimore The Johns Hopkins Press.Friedman, N. (1972). E.E. Cummings A collection of critical essays. Englewood Cliffs, N.J. Prentice-Hall.Haines, G. (1951). The world and E.E. Cummings. In Friedman, N. (Ed.), E.E. Cummings A collection of critical essays (pp. 15-30). Englewood Cliffs, N.J. Prentice-Hall.Norman, C. (1958). The magic-maker E.E. Cummings. New York Macmillan.Watson, B. (1956). The dangers of security E.E. Cummings revolt against the future. In Friedman, N. (Ed.), E.E. Cummings A collection of critical essays (pp. 31-45). Englewood Cliffs, N.J. Prentice-Hall.