Selected Quotations: Potebnya and his numerous disciples consider poetry a spargon anatomy of thinking - thinking by means of images; they odour that the startle the question of imaginativeness is to help channel various aspirations and activities into groups and to wrap up the unidentified by means of the known. (717) poets are much much concern with arranging images than with creating them. Images are given to poets; the ability to find them is utmost more important than the ability to create them. (718) By works of art, in the narrow sense, we mean works created by special techniques knowing to mold the works as apparently artistic as possible. (718) (Potebnya) ignored the fact that there are two aspects of vision: imagery as a pragmatic means of thinking, as a means of placing aspirations within categories (metonymic); and imagery as poetic, as a means of reinforcing an impression (metaphoric). (718) as perception becomes habitual, it becomes a utomatic. (720) art exists that one whitethorn recover the emotion of life; it exists to make one feel things, to make the stone stony. . . . Art is a way of experiencing the artfulness of an physical object; the object is non important. (720) Tolstoy makes the familiar seem strange by not label the familiar object (defamiliarizing).
He describes an object as if he were seeing it for the depression time, an event as if it were happening for the first time. In describing something he avoids the accepted call of its parts and instead names corresponding parts of opposite objects. (721) An image is not a perma nent referent for those uncertain complexit! ies of life which are revealed through it; its purpose is not to make us behold meaning, but to create a special perception of the object - it creates a vision of the object instead... If you fatality to get a full essay, order it on our website:
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